Talawa has a history of nurturing and collaborating with outstanding writers such as Michael Bhim, Roy Williams, Derek Walcott, Jackie Kay, Trish Cooke and Malorie Blackman.
We are building on the work we do to develop Black British writers. Talawa wants to:
- Become a home and a 'go to' place for new Black British writers
- Create a space in which unheard voices can first be heard
- Shape a diverse future for British theatre by helping to establish Black British writers and emerging artists
There are several ways you can engage with the Literary Department:
We welcome submissions from Black writers in the UK.
We have 3 script submissions windows over the course of the year. We will open the next window for submissions on 31st October and close it on 30th November.
We will respond to each script with some feedback and we will invite writers we are interested in working with to come in and meet us.
Funded by the Paul Hamlyn Foundation and partnering with the Bush Theatre, Soho Theatre and the BBC writersroom, this brand new initiative commissions three new writers to create a play alongside a year-long programme of activity.
Talawa Firsts is an unmissable annual season of new play readings showcasing diverse new writing talent.
We are in the process of expanding and restructuring our Hotspots programme, which aims to invest in talent and create opportunities for emerging and established Black artists by giving them studio space and artistic support to develop a new piece of work. Hotspots will now be called Studio Firsts and will be launched in early 2015.
Details of the application process will be available in November.
Please email email@example.com to register your interest.
If you are an emerging artist (director, writer, theatre-maker) who has a show coming up, we welcome invitations to come along and see your work.
"Writers' Group; challenged my ideas and, not only did I form a strong bond with the group, I built a lot of confidence in my own beliefs and abilities."
Writers' Group participant 06/07
"Talawa allows different types of stories reflecting the Black experience to be heard and developed. This freedom has meant there is no need for me to compromise my voice as a writer."
Writers' Group participant 05/06
"The most encouraging thing for me was hearing many young writers articulating ideas that really chimed. No longer the old idea: 'I'm a writer, not a Black writer.' Instead, many of the young guys are proud to write from their cultural 'lens', not seeing Black as something you needed to drop in order to succeed or not be ghettoised. Indeed, many saw their cultural specificity as an avenue to absolute universality."
Kwame Kwei-Armah on Unzipped 08
"I am very grateful for the workshop as it came at a time when I was starting my new play. All the knowledge I got from the workshop will be very helpful in the process I'm about to take."
Omphile Molusi, South African New Playwriting Programme (SANPWP) 2010